Beyond It

When Glasgow’s Twin Atlantic released their 2009 mini-album, Vivarium, it immediately found an awestruck audience. The reviews were uniformly ecstatic. Grand, sweeping and eloquent, it was a collection of songs with a heart and soul, crafted by passion and informed by staunch lyrical and musical frankness. It set Twin Atlantic on a rollercoaster – one that has led, now, to the release of their full debut, Free, on Red Bull Records, an inspiring collection of songs full of ambition, pain, belief and soul. In a world of music dominated by talent show winners, mass-marketed bands and meaningless music, here, finally, is a band in which to invest your heart.

Formed in 2007 in Glasgow, and infusing their music with their Scottish heritage, Twin Atlantic found themselves caught in a whirlwind in the months that followed Vivarium’s release. Support slots with the great and the good – from blink-182 to My Chemical Romance and The Gaslight Anthem – followed tours the length and breadth of Britain, Europe and America. Interviews, photo-shoots, magazine articles and newspaper pieces amounted to a blur of excitement and hype. “We had three years where we’ve had this barrage of dream scenarios which we grasped with two hands,” says frontman Sam McTrusty.

But, in the grasping, Twin Atlantic worried they had strayed from the ethos and ideals with which they had started their band. “We suddenly thought, ‘What are we doing?’” adds McTrusty. In that moment of realisation, Twin Atlantic did what only the best bands do. They rediscovered their love for music and for pouring themselves, their feelings, fears, hopes and dreams into it. The results are their brilliant new album. “This band was meant to be based on integrity,” says McTrusty. “We wanted there to be a brutal honesty in the lyrics. I think we’ve done that.”

The quest to deliver authenticity in their music led them to the influential producer Gil Norton (“a fucking dude-and-a-half,” according to guitarist and cellist Barry McKenna) with who they teamed up in the Red Bull Studios in Santa Monica, California at the end of 2010. “We really trusted that he could help us make an honest record because he’s already achieved that with other bands like Pixies and Foo Fighters early in their careers. You can hear the genuineness in the bands he’s worked with.”

And with Norton, they set about crafting an exceptional album. “I was unbelievably excited to be working with Gil – he’s been at the helm of a handful of my favourite records, including The Colour And The Shape which single-handedly made me decide that I needed to play in a band,” says drummer Craig Kneale. “When we got in the studio with him, it was just a complete dream. We’re so confident in each of the songs, and there must have been about 100 points in the studio where we would listen back to something and all get goosebumps.”

And throughout, that all-important sincerity was there. “We can hold our heads high and say we did exactly what we wanted, and exactly how we wanted. At no point have we compromised as a band, as musicians or as people,” says McKenna. “I think all great music has to be truthful and we have certainly achieved that, to one another and collectively outwards.”

Free is an album of experiences. Having had their horizons broadened by touring the UK, Europe and America, McTrusty, in particular, spent time gazing from aeroplane and van windows fearing the world he was seeing was becoming a more uniform place. “We haven’t written a political record,” he says, “but there are issues in there like globalisation because that’s something that freaks me out. Perhaps that’s come from touring and feeling that everything sometimes seems the same.”

<p>It was a train of thought that unfurls masterfully throughout the record. “There are songs about how the media and big corporations manipulate and mould your opinions,” he says